<div class="wcmp-player-container product-4332"><audio controlslist="nodownload" data-product="4332"  volume="1"  preload="none" data-lazyloading="auto" class="wcmp-player track mejs-ted" data-duration="4:15"><source src="https://maxhighsteinmusic.com/wp-content/uploads/wcmp/6c970f1c9720aa6b397e4f09cc042e61.mp3" type="audio/mp3" /></audio></div>Big Day
Big Day

4:15. Guitar, accordion, band, synths, soprano sax, piano, marimba. Jubilant, vibrant, celebratory! A victory dance of a song. 

From the album, Hotcakes.

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<div class="wcmp-player-container product-5193"><audio controlslist="nodownload" data-product="5193"  volume="1"  preload="none" data-lazyloading="auto" class="wcmp-player track mejs-ted" data-duration="1:10"><source src="https://maxhighsteinmusic.com/wp-content/uploads/wcmp/0d44d58f26354336a88355b11b9faf20.mp3" type="audio/mp3" /></audio></div>Her Room
Her Room

Happy things happen in her room. Perhaps you can be one of those things. This cue can be customized to fit your project.

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<div class="wcmp-player-container product-4302"><audio controlslist="nodownload" data-product="4302"  volume="1"  preload="none" data-lazyloading="auto" class="wcmp-player track mejs-ted" data-duration="4:15"><source src="https://maxhighsteinmusic.com/wp-content/uploads/wcmp/c65c99b378600665ca2ada1cca8fd55b.mp3" type="audio/mp3" /></audio></div>The Listener
The Listener

4:15. Dark, solid piano and bass groove. Minor key. Major work underfoot. The good kind of stress. 

From the album, Tiptoes.

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<div class="wcmp-player-container product-4305"><audio controlslist="nodownload" data-product="4305"  volume="1"  preload="none" data-lazyloading="auto" class="wcmp-player track mejs-ted" data-duration="3:54"><source src="https://maxhighsteinmusic.com/wp-content/uploads/wcmp/accc39d6f28a7e02a91d8454629e8b22.mp3" type="audio/mp3" /></audio></div>The Weaver’s Tale
The Weaver’s Tale

3:53. A masterful, “Masterpiece Theatre” sort of composition. Dark, winding intrigue in 3/4 time. Gorgeous cello, sax, and piano banding together to save the world. 

From the album, Tiptoes.

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